No matter what your beliefs may be,
we wish the very best holiday season,
full of family, friends and better health.
By CRISTINA SILVA, Associated Press Cristina Silva, Associated Press – Thu Nov 11, 3:00 am ET
Domingo, known to popular music audiences for his "Three Tenors" performances with Jose Carreras and the late Luciano Pavarotti, was honored as the Latin Grammy Person of the Year for his cultural and philanthrophic accomplishments during the celebration on the eve of the 11th annual awards show.
"This is a great honor for me," Domingo, 69, told the crowd, clutching a crystal trophy to his chest as his eyes teared up. "How many people seated in this room here today deserve to be the Person of the Year. I know there are many."
In previous years, presenters sang the top hits of the Person of the Year during the tribute concert. Domingo instead requested his favorite singers perform the songs that drew him to a life of music.
It was a night for every musical genre.
American harmony group The Lettermen crooned their 1968 hit, "Put Your Head on my Shoulder," while country singer Alexander Fernandez serenaded Domingo with the traditional Mexican ballad "Jurame." Jazz artist Patty Austin performed "Moon River" and Spanish performer Paloma San Basilio purred the lyrics to the Caribbean classic love song "Piel Canela."
Ricky Martin, a past recipient of the award, presented Domingo with his trophy.
But it was Domingo himself who stole the show when he stood on stage for a rousing performance of the opera standard "Granada" as images of the storied Spanish city flashed behind him on a screen. Domingo, dressed in a classic tuxedo, drew the only standing ovation of the night.
Domingo devoted his acceptance brief speech to his love for the Spanish-speaking world, deeming the connection between Spain and its former colonies "extraordinary."
"Our language, our music, our culture, our happiness is contagious and the world has been infected with that music," he said. "Every day more people listen to our music in the world."
Domingo also shared a tender moment with his son.
"If I had the choice to sing like you or be like you, I would prefer to be like you," said composer Domingo Placido Jr. before embracing his father.
On the red carpet, artists such as Spanish rapper La Mala, Mexican conductor Alondra de la Parra and Mexican singer Aleks Syntek cited Domingo as a musical influence.
"He is an inspiration for all of us Latinos," said Syntek, who performed Puerto Rican pop star Luis Fonsi's "Aqui Estoy Yo" during the concert. "He is a legend."
Domingo moved at the age of 8 from Spain to Mexico City, where he studied at the National Conservatory of Music. In 1968, he debuted with The Metropolitan Opera in New York City.
He founded Operalia, a contest for opera singing, and raised million of dollars in benefit concerts for victims of disasters such as Mexico's 1985 earthquake and Hurricane Katrina.
The great maestro has made more than 100 recordings and has won nine Grammy Awards and two Latin Grammy Awards. He also maintains a busy schedule as a restaurateur and director of two opera companies, the Washington National Opera and the Los Angeles Opera.
Domingo underwent surgery to remove a cancerous polyp from his colon in March, but quickly returned to the stage.
Previous recipients of the Person of the Year honor include Gloria Estefan, Julio Iglesias and Carlos Santana.
The awards show is scheduled for Thursday at the Mandalay Bay Resort and Casino in Las Vegas and will be broadcast live on Univision.
By MIKE SILVERMAN, For The Associated Press Mike Silverman, For The Associated Press
NEW YORK – Two 20th-century works that depict their composers' vastly divergent views of domestic life are on display for the New York City Opera's abbreviated fall season.
Leonard Bernstein's only full-length opera, "A Quiet Place," first performed in 1983, received its New York premiere last Wednesday night. On Sunday afternoon, the company revived Richard Strauss' "Intermezzo," which dates from 1923. They will alternate in repertory through Nov. 21.
Both performances showed the struggling City Opera at its best, with terrific casts, superb playing by the orchestra and high production values. But the Bernstein comes across as an earnest effort to resuscitate a work of limited merit, while the Strauss opus is an unexpected delight.
"A Quiet Place" was conceived by Bernstein and librettist Stephen Wadsworth as a sequel to the composer's 1952 "Trouble in Tahiti." That earlier piece is a jazzy, tuneful series of glimpses into the troubled marriage of a prosperous suburban couple named Sam and Dinah. The later work opens at Dinah's funeral and asks us to care about a family for which the term dysfunctional seems inadequate. There's the gay, schizophrenic, draft-dodging son, Junior, his sister, Dede, and Francois, who was (or still is?) Junior's lover but is now married to Dede. Sam is estranged from all of them, but eventually — after three long acts — they reconcile.
Following an unsuccessful premiere in Houston, the authors revised the work so that "Trouble in Tahiti" now appears as a series of flashbacks in the second act. But the reworking can't hide the fact that the earlier work has far more vitality than the later score.
And if "Trouble in Tahiti," for which Bernstein wrote his own libretto, has a glibness to its satire, the sequel wears its heart on its sleeve, sometimes movingly, but often with an obviousness that borders on banality.
The large cast is uniformly strong, particularly baritone Joshua Hopkins as Junior and soprano Sara Jakubiak as Dede. As Dinah, mezzo-soprano Patricia Risley provides a vivid presence (appearing as a ghost except for the flashbacks), though her voice occasionally has trouble cutting through the orchestra. As Young Sam, baritone Christopher Feigum draws an incisive portrayal of an arrogant husband who neglects his wife and son, has sex with his secretary in the office, and humiliates his defeated opponent at handball. (In one of many inspired touches in Christopher Alden's staging, Sam brandishes his trophy like a giant phallus.)
Conductor Jayce Ogren shows a firm grasp of Bernstein's rhythmically challenging score and draws clear and crisp playing from the orchestra.
"Intermezzo," for which the composer wrote his own libretto, is a far more overtly autobiographical work than "A Quiet Place." Strauss (renamed Robert Storch) made himself the long-suffering hero, and his wife, Pauline, became the hot-tempered, self-indulgent Christine. He based the slender plot on a real incident from their marriage 20 years earlier when his wife had falsely accused him of infidelity.
Musically, "Intermezzo" is not quite top-drawer Strauss, but even off the second shelf, his genius for interweaving gorgeous strands of melody shines through. Written as an extended series of conversations, interspersed with spoken dialogue, "Intermezzo" has no big set pieces such as the arias or ensembles familiar from many of his other operas. But there are some stirring orchestral interludes, as well as a glorious closing passage for the reunited couple.
Any performance of "Intermezzo" must depend to a large extent on the soprano playing the role of Christine, since she is on-stage virtually throughout. City Opera is fortunate in having Mary Dunleavy in the part. Her vibrant voice and lively acting give a warm and sympathetic quality to a character that could easily be seen as merely vain and tiresome. Her tone occasionally turns glassy on high notes, but for the most part, she fills out the lines with grace and beauty.
Baritone Nicholas Pallesen avoids smugness as best he can as Storch, and tenor Andrew Bidlack displays a ringing, full-bodied sound as the young Baron Lummer, with whom Christine takes up an innocent flirtation.
The fast-paced production by Leon Major is a treat, greatly assisted by Andrew Jackness' sliding sets. There's even a simulated toboggan track for a snow scene. Music director George Manahan conducts a buoyant performance that brings out the delicacy of Strauss' orchestral textures.
With hard economic times limiting its fall productions to just two, the company presented Christine Brewer in an all-too-brief gala concert on Thursday.
It was a welcome chance to hear one of today's few true dramatic sopranos on the stage of a New York opera house. Brewer was supposed to star in the Metropolitan Opera's revival of Wagner's "Ring" cycle in spring of 2009, but withdrew because of a knee injury.
She opened with a dazzling "In questa reggia" from Puccini's "Turandot," then offered a moving "Liebestod" from Wagner's "Tristan und Isolde," and closed with a group of songs by Harold Arlen and Jerome Kern. In the latter, she showed she can lighten her voice and move into popular mode without sounding the least bit arch or affected.
From http://news.yahoo.com/s/ap/20101101/ap_en_mu/us_city_opera
1788 ~ Sarah Hale, Poet, magazine editor, wrote Mary Had a Little Lamb
• 1904 ~ Moss Hart, Tony Award-winning director of My Fair Lady (1957), playwright, married to actress Kitty Carlisle
• 1911 ~ "Sonny" Terry (Saunders Terrell), American blues singer and harmonica player
• 1929 ~ George Crumb, American composer and teacher
• 1929 ~ The Rudy Vallee Show was broadcast for the first time over NBC radio. Actually, the Rudy Vallee show had several different titles over the years, all of which were referred to by the public as The Rudy Vallee Show. Megaphone-toting Rudy and his Connecticut Yankees band were mainstays on radio into the late 1940s.
• 1930 ~ J.P. (Jiles Perry) Richardson (The Big Bopper), singer, songwriter More about The Big Bopper
• 1936 ~ David Nelson, Actor, son of entertainers Ozzie and Harriet Nelson, brother of singer Ricky Nelson
• 1936 ~ Bill Wyman, Musician with The Rolling Stones, songwriter, London restaurant owner of Sticky Fingers
• 1937 ~ Santo Farina, Steel guitar with Santo & Johnny
• 1939 ~ F. Murray Abraham, Academy Award-winning actor for his portrayal of Salieri in "Amadeus" (about Mozart), 1984.
• 1939 ~ Let’s Dance was recorded on Columbia Records. It became the theme song for the band that recorded it, the Benny Goodman Band.
• 1946 ~ Jerry Edmonton, Drummer with Steppenwolf
• 1960 ~ Brenda Lee hit #1 for the second time in the year with I Want to Be Wanted. 1960 was a very good year for the young (age 15) songstress. In addition to her first #1 smash, I’m Sorry (July 18), Lee had two other songs on the charts: Sweet Nothin’s (#4, April 18) and That’s All You Gotta Do (#6, July 4).
• 1975 ~ Looking to name your own greatest hits album something other than Greatest Hits? Do what former Beatle John Lennon did, with his package of the best. Lennon called it, "Shaved Fish".
• 1977 ~ Gary Busey began filming The Buddy Holly Story. The star was a ringer for the rock idol.
• 1999 ~ Phillip Glass' "Dracula" score makes news.
• 2001 ~ Kim Gardner, a bassist who played with several bands, including the British rock group Ashton, Gardner & Dyke, died. He was 53. Gardner, born in London, joined fellow teen-age musicians Ron Wood, Ali McKenzie, Tony Munroe and Pete McDaniels to form the Thunderbirds. Shortening their name to the Birds, the band released four singles, including Leaving Here and No Good Without You Baby, both in 1965. Gardner's next group was Ashton, Gardner & Dyke with Tony Ashton and Roy Dyke in 1968. The trio, whose albums featured a light, jazz-rock style, scored a top-three hit in Britain with Resurrection Shuffle in 1971. The group broke up a year later. Gardner also toured with Pacific Gas and Electric and other bands in the 1970s. He played bass with everyone from Eric Clapton to Bo Didley, and worked on 27 albums. Gardner also was a successful pub master and restaurateur. Gardner toured the United States regularly before settling in Los Angeles in 1973. In 1982, he started the original, 50-seat Cat & Fiddle Restaurant and Pub. Over the years, Cat & Fiddle has been a favorite destination for British rockers such as Keith Moon, Robert Plant and Rod Stewart, as well as Hollywood celebrities.
1878 ~ The opera Carmen, by Bizet, had it's first American performance but it was sung in Italian. It took another fifteen years before audiences could hear it in French, the language in which it was written.
• 1891 ~ Albert Lortzing, German composer
• 1906 ~ Miriam Gideon, American composer
• 1927 ~ Sonny (William) Criss, Saxophonist
• 1939 ~ Charlie Foxx, Singer with sister, Inez
• 1940 ~ (Eleanor) Ellie Greenwich (Ellie Gay, Ellie Gee), Songwriter
• 1941 ~ Clarinet a la King was recorded by Benny Goodman and his orchestra on Okeh Records.
• 1947 ~ Greg Ridley, Bass with Spooky Tooth
• 1950 ~ Al Jolson passed away
• 1956 ~ Dwight Yoakam, Songwriter, singer
• 1959 ~ ‘Weird’ Al Yankovic, Singer, comedian, parodies
• 1970 ~ ‘Lady Soul’, Aretha Franklin, won a gold record for Don’t Play that Song.
• 1975 ~ Elton John's Los Angeles concert was sold out at Dodger Stadium. It was the finale to his concert tour of the western U.S.
• 1978 ~ Mother Maybelle Carter (Addington) passed away
• 1978 ~ CBS Records hiked prices of many vinyl albums by one dollar to $8.98. Other labels soon joined in.
• 2001 ~ Russell "Rusty" Kershaw, a guitarist and recording artist, died of a heart attack at the age of 63. Over the course of a long career, Kershaw, the younger brother of Cajun recording star Doug Kershaw, performed with Neil Young, Chet Atkins, J.J. Cale and Charlie Daniels. Kershaw's musical career began with a small family band, Pee Wee Kershaw and the Continental Playboys. The band joined the Louisiana Hayride in Shreveport in 1955 and moved on the following year to the Wheeling Jamboree on a West Virginia radio station. Doug and Rusty Kershaw went on to perform as a duo and joined the Grand Ole Opry in 1957. In 1964, Rusty Kershaw started performing on his own, and worked on numerous albums with other artists. Kershaw had lived in New Orleans since 1980 when then-Gov. Edwin Edwards asked him to join the Louisiana Music Commission.
• 2003 ~ Nico Snel, conductor of the Port Angeles Symphony for 18 years, died after a battle with cancer. He was 69. Port Angeles, with a population of about 19,000, is one of the smallest cities in the nation to support a full orchestra. A search committee will spend the next two seasons looking for a new permanent conductor to succeed him. Born in Alkmaar, Holland, Snel began studying music with his father, an accomplished musician and conductor. He started with piano and then moved on to violin, and began performing when he was about 8. The family immigrated to the United States after World War II, when Snel was 15. An accomplished violinist, he went to Germany as a young man and served with the Seventh Army Symphony, becoming the organization's conductor in 1958. In the 1960s and early '70s, he worked as a conductor for the Oakland, Calif., Light Opera and the Diablo Light Opera and as director of the Oakland Temple Pageant chorus and orchestra. He moved to the Northwest in the late 1970s and conducted the Everett Youth Symphony for three years. He was named conductor of the Seattle Philharmonic in 1980, a position he held until 1995. He became conductor of the Port Angeles Symphony in 1985, for a time serving both orchestras.
• 1885 ~ Giovanni Martinelli, Opera singer, tenor with Metropolitan Opera for 30 seasons
• 1904 ~ Paul Arma, Hungarian composer and theorist
• 1917 ~ Leopold Stokowski led the Philadelphia Orchestra in its first recording session, for Victor Records.
• 1930 ~ Dory Previn, Songwriter with André Previn
• 1939 ~ Ray Jones, Bass with Billy J. Kramer & The Dakotas
• 1943 ~ Paul Zukofsky, American violinist
• 1943 ~ Bobby Fuller, Singer, guitarist with Bobby Fuller Four
• 1945 ~ Leslie West (Weinstein), Singer, musician, guitarist with Mountain
• 1945 ~ Eddie Brigati, Singer, musician with The (Young) Rascals
• 1959 ~ "Take Me Along" opened on Broadway and quickly became an American classic. Walter Pidgeon starred along with Jackie Gleason.
• 1966 ~ The Supremes rocketed to the top of the pop"album charts with "Supremes A’ Go-Go". They were the first all-female vocal group to hit the top of the LP chart.
• 1969 ~ Giovanni Martinelli passed away
• 1969 ~ Michael Tilson Thomas, the 25-year-old assistant conductor of the Boston Symphony Orchestra, took over for ailing conductor William Steinberg in the symphony’s appearance in New York City.
• 1971 ~ Folk singer Joan Baez received a gold record for her hit, The Night They Drove Old Dixie Down. It turned out to be her biggest hit, peaking at #3 on the charts on October 2, 1971.
• 1983 ~ Celebrating its 100th anniversary, New York’s Metropolitan Opera featured a daylong concert with some of the world’s greatest opera stars. On stage at the Met were Dame Joan Sutherland, Placido Domingo and Luciano Pavarotti.
• 2001 ~ Tom Baker, one of Australia's most respected jazz musicians, died of a heart attack while touring in the Netherlands. He was 49. Baker, a native of California, took up residence in Australia 30 years ago. He was a regular at Sydney's famous jazz club, The Basement. Willie Qua, drummer and co-founder of one of Australia's best-known jazz bands, Galapagos Duck, said Baker had often played as "a part-time member" of the band and was an icon of the Sydney jazz scene. Baker formed his first band, Tom Baker's San Francisco Jazz Band, in 1975, earning himself a reputation as one of Australia's very best jazz musicians. Recently he toured extensively through Europe and America.
• 1885 ~ Egon Wellesz, Austrian composer and musicologist
• 1907 ~ The "Merry Widow" opened in New York. The play starred Ethel Jackson and Donald Brian. The operetta had been introduced in Europe two years before.
• 1908 ~ A Saturday Evening Post advertisement offered a chance to buy, for the first time, a two-sided record. It was on Columbia.
• 1912 ~ Sir Georg Solti, Hungarian-born British conductor, Chicago Symphony Orchestra. He conducted the first complete recording of Wagner’s "Der Ring des Nibelungen".
More information about Gillespie
• 1921 ~ Sir Malcolm Arnold, Composer of screen scores: "David Copperfield", "The Chalk "Garden", "Suddenly, Last Summer", "Solomon and Sheba", "Island in the Sun", "The Bridge on the River Kwai", "Trapeze", "I Am a Camera", "The Belles of St. Trinian’s" "the Eye Witness series"
• 1924 ~ It was a big night for a big band in New York’s Cinderella Ballroom. The crowd loved the Wolverine Orchestra from Chicago and the guy on the cornet, Bix Beiderbecke, the ‘young man with a horn’.
• 1938 ~ Quaker City Jazz was recorded on the Bluebird label by Jan Savitt’s orchestra. The tune would become the theme of the band. It was not, however, recorded in the Quaker City of Philadelphia. The song was waxed in New York City.
• 1940 ~ Manfred Mann (Michael Lubowitz), Singer with Mann-Hugg Blues Brothers
• 1941 ~ Steve Cropper, Guitarist with the groups: Blues Brothers as well as Booker T and The MG’s
• 1942 ~ Elvin Bishop, Guitarist, singer with Paul Butterfield Blues Band
• 1943 ~ Ron Elliott, Guitarist with Beau Brummels
• 1946 ~ Lee Loughnane, Brass with Chicago
• 1953 ~ Charlotte Caffey, Guitar, singer with The Go-Gos
• 1955 ~ Eric Faulkner, Guitarist with Bay City Rollers
• 1957 ~ Julian Cope, Bass, guitar, singer
• 1957 ~ Steve Lukather, Guitarist with Toto
• 1958 ~ Orchestral strings were used for the first time in a rock and roll tune. Buddy Holly recorded It Doesn’t Matter Anymore, written by Paul Anka. Sadly, it would be Holly’s last studio session. The song wasn’t released until after his death in February of 1959.
• 2001 ~ George Feyer, a pianist and entertainer who played at some of New York's top hotels, died at the age of 92. Feyer, who was known for setting pop lyrics to classical music, entertained the sophisticated Manhattan cafe society for three decades. He played for decades at the Carlyle, the Stanhope and the Waldorf-Astoria. He made many recordings, including his Echoes album series, which featured Echoes of Paris and Echoes of Broadway. Born in Budapest on Oct. 27, 1908, Feyer attended the Franz Liszt Academy of Music, where he studied with composer Sir Georg Solti. One of his first jobs was playing for silent movies. During World War II, the Nazis put Feyer on forced labor details, then imprisoned him in the Bergen-Belsen concentration camp for the final year of the war. Feyer and his family moved to New York in 1951. He stopped working full time in 1982.
More information on Ives
• 1913 ~ Grandpa (Louis Marshall) Jones, Country Music Hall of Famer, Grand Ole Opry, singer
• 1923 ~ Robert Craft, American conductor and writer
• 1935 ~ Jerry Orbach, American singer and actor for the musical theater
• 1937 ~ Wanda Jackson, Singer, songwriter
• 1939 ~ Jay Siegel, Singer with The Tokens
• 1939 ~ All the Things You Are was recorded by the Tommy Dorsey Orchestra on the Victor label. Jack Leonard was the featured vocalist.
• 1945 ~ Ric Lee, Drummer with Ten Years After
• 1950 ~ Tom Petty, Singer with The Traveling Wilburys
• 1951 ~ Al Greenwood, Keyboards with Foreigner
• 1955 ~ "Day-O. Day-ay-ay-ay-o!" One of the most popular of the Harry Belafonte hits was recorded for RCA Victor. Day-O didn’t make it to the pop charts for over a year, until January of 1957, after its name had been changed to The Banana Boat Song (Day-O).
1958 ~ Mark King, Bass, singer with Level 42
• 1962 ~ With Halloween just around the corner, we remember that Bobby "Boris" Picket and the Crypt Kickers reached the top of the charts this day (for two weeks) with The Monster Mash. And someone, somewhere, has resurrected it every Halloween since.
• 1962 ~ The musical, Mr. President, written by Irving Berlin, opened on Broadway. Mr. President ran for 265 performances.
• 1965 ~ The Beatles received a gold record for the single, Yesterday. This song marked the first time a cello was used in a pop hit.
• 2000 ~ Li Yundi, an 18-year-old virtuoso from China, has won Poland's Frederic Chopin piano competition, becoming one of the youngest players to capture the prestigious international prize. Read the whole story
• 1911 ~ George Cates, Musician, worked with Steve Allen, musical director of the Lawrence Welk Show for 25 years
• 1916 ~ Karl-Birger Blomdahl, Swedish opera composer
• 1916 ~ Emil Gilels, Russian pianist
• 1938 ~ The Bob Crosby Orchestra recorded I’m Free for Decca. Billy Butterfield was featured on trumpet. A few years later, the song would be retitled, What’s New.
• 1939 ~ Benita Valiente, American soprano
• 1944 ~ Peter Tosh (Winston McIntosh), Singer, baritone and musician. He uses homemade instruments and performed reggae with Bob Marley
• 1944 ~ An actor who would become legend in scores of tough guy roles made his stage debut in New York. Marlon Brando appeared in the Broadway hit, "I Remember Mama".
• 1945 ~ Jeannie C. Riley (Stephenson), Grammy Award-winning
• 1953 ~ Julius LaRosa, popular singer of the time, was unceremoniously fired on the air by Arthur Godfrey. "Julie lacks humility," Godfrey told the stunned audience, while putting his arm around LaRosa. He said, "So, Julie, to teach you a lesson, you’re fired!"
• 1956 ~ Nino DeFranco, Singer with The DeFranco Family
• 1957 ~ Karl Wallinger, Musician, keyboards, guitarist with World Party
• 1959 ~ Twelve-year-old Patty Duke made her first Broadway appearance, in "The Miracle Worker". The play would last for 700 performances and become a classic motion picture, launching Patty to fame and fortune.
• 1973 ~ Elvis and Priscilla Presley were divorced after six years and one child (Lisa Marie).
• 1898 ~ Lotte Lenya (Karoline Blamauer), Austrian actress and Tony Award-winning singer
• 1918 ~ Bobby Troup, Actor, singer, musician, TV host, married to singer Julie London
• 1926 ~ Chuck (Charles Edward Anderson) Berry, Rock and Roll Hall of Famer inducted in 1986, Lifetime Achievement Grammy (1985) Washington Honored Eastwood, Baryshnikov, Berry (2000)
• 1935 ~ Victor record #25236 was recorded by Tommy Dorsey and orchestra. It would become one of the most familiar big band themes of all time, I’m Getting Sentimental Over You.
• 1943 ~ Russ Giguere, Guitarist, singer with The Association
• 1947 ~ Laura Nyro, Singer
• 1952 ~ Keith Knudsen, Drummer singer with The Doobie Brothers
• 1979 ~ Following extensive renovation to return Radio City Music Hall to the look and feel of its 1931 art deco glory, the venerable New York City theatre reopened. "Snow White and the Seven Dwarfs" was the first live presentation.
• 1983 ~ Kenny Rogers and Dolly Parton received a gold record to add to their collections for their smash, Islands in the Stream.
• 1810 ~ Giovanni Matteo Mario, Italian tenor
• 1892 ~ Herbert Howells, British composer
• 1909 ~ Cozy (William Randolph) Cole, Drummer. He played with Cab Calloway, Louis Armstrong, in films - Make Mine Music, The Glenn Miller Story and started a drummers’ school with Gene Krupa
• 1938 ~ This was a big day in Tinseltown. NBC moved to the corner of Sunset and Vine, the ‘Crossroads of the World’. The new Hollywood Radio City drew thousands of visitors ready to fill studio-audience seats for popular radio programs.
• 1940 ~ James Seals, Singer, guitar, saxophone, fiddle with Seals and Crofts
• 1940 ~ One year before recording that memorable song, Fry Me Cookie, with a Can of Lard, Will Bradley’s orchestra recorded Five O’Clock Whistle, also on Columbia Records.
• 1941 ~ Alan Howard, Bass with Brian Poole & The Tremeloes
• 1942 ~ Gary Puckett, Singer with The Union Gap
• 1945 ~ Actress Ava Gardner made news. She married bandleader Artie Shaw.
• 1946 ~ Jim Tucker, Guitarist with The Turtles until 1965
• 1949 ~ Bill Hudson, Comedian, singer with The Hudson Brothers, was married to actress Goldie Hawn
• 1953 ~ The first concert of contemporary Canadian music presented in the U.S. was performed by conductor Leopold Stokowski at Carnegie Hall in New York City.
• 1955 ~ Jose Ferrer and Claire Bloom starred on NBC’s Producer’s Showcase. They performed in "Cyrano De Bergerac". Ferrer also won an Oscar for his performance in the film version.
• 1958 ~ Alan Jackson, Singer
• 1962 ~ Though the ‘Fab Four’ would appear on both radio and television, on what they would call ‘Auntie Beeb’ (the BBC), The Beatles made their first appearance this day on Great Britain’s Grenada TV Network.
• 1967 ~ A controversial rock musical "Hair", opened on this day at the Anspacher Theatre in New York City. It ran for 1,742 performances and then became a movie.
• 1983 ~ Actor Anthony Quinn lit up the Great White Way in the revival of the 1968 musical, "Zorba", that reunited Quinn with Lila Kedrova, who played Madame Hortense. They both had appeared in the film portrayal, "Zorba the Greek", which won Quinn a nomination for Best Actor, and an Oscar for Kedrova as Best Supporting Actress. This was one of the few films that came before the Broadway show, rather than the reverse.
• 2003 ~ Bernard Schwartz, who produced "Coal Miner's Daughter," the Academy Award-nominated biopic of country singer Loretta Lynn, died of complications following a stroke. He was 85. Schwartz was a one-time Broadway child actor who got into television and film production in the 1950s, working on the popular paranormal suspense show "Alcoa Presents: One Step Beyond" and the hit science fiction film "Journey to the Center of the Earth." Schwartz' best known and most lauded production was "Coal Miner's Daughter," the 1980 film inspired by Lynn's song of the same name. Sissy Spacek won an Oscar for her portrayal of Lynn and the film won the Golden Globe award for best musical or comedy. It also was nominated for an Oscar for best picture. In 1985, Schwartz featured Patsy Cline's life in "Sweet Dreams," which was named for one of her songs and starred Jessica Lange as the music legend killed in a plane crash. He also produced country singer Amy Grant's 1986 TV special "Headin' Home for the Holidays" and worked with Priscilla Presley on the 1988 miniseries "Elvis and Me." Another of his best known productions was 1983's "Psycho II," the darkly humorous but far bloodier sequel to Hitchcock's 1960 thriller about troubled motel operator Norman Bates. Other feature films included "The Wackiest Ship in the Army," "Global Affair," which starred Bob Hope, and "Rage," which starred Glenn Ford. Schwartz also produced "That Man Bolt" and "Bucktown," both vehicles for former football star Fred Williamson, and the thriller "Roadgames" starring Stacey Keach and Jamie Lee Curtis.
• 1821 ~ Albert Franz Doppler, flute virtuoso and a composer was born. He was best known for his music for flute. He also wrote one German and several Hungarian operas for Budapest, all produced with great success. His ballet music was popular during his lifetime.
• 1855 ~ William Barclay Squire, British musicologist
• 1893 ~ On this day a song called "Goodmorning to All" was copyrighted by two teachers who wrote it for their kindergarten pupils. The title was later changed to "Happy Birthday to You".
• 1923 ~ Bert Kaempfert, Musician
• 1941 ~ Fry Me Cookie, with a Can of Lard was recorded by the Will Bradley Orchestra on Columbia. Ray McKinley was featured.
• 1942 ~ Dave Lovelady, Drummer with The Fourmost
• 1943 ~ C.F. (Fred) Turner, Musician with Bachman~Turner Overdrive
• 1947 ~ Bob Weir (Hall), American rock guitarist and singer with The Grateful Dead
• 1953 ~ Tony Carey, Keyboards with Rainbow
• 1959 ~ Gary Kemp, Guitarist with Spandau Ballet, brother of musician Martin Kemp
• 1969 ~ Wendy Wilson, Singer with Wilson Phillips, daughter of Beach Boys singer, Brian Wilson
• 1972 ~ John C. Fogerty and Creedence Clearwater Revival called it a career ... and the group disbanded. Fogerty continued in a solo career with big hits including, Centerfield and The Old Man Down the Road.
• 1976 ~ Memphis, TN disc jockey Rick Dees and his ‘Cast of Idiots’ made it all the way to number one on the Billboard Hot 100 with the immortal Disco Duck (Part 1). Dees is still around, but not as a recording artist. He’s a DJ in Los Angeles and is hosting several varieties of the Weekly Top 40 show, syndicated around the world.
• 1983 ~ George Liberace passed away
• 1990 ~ Art Blakey passed away
• 2000 ~ David Golub, American pianist and chamber music conductor, passed away at the age of 50. Born in Chicago, Golub grew up in Dallas, where he began learning the piano. In 1969 he moved to New York and spent his student years honing his technique at New York's Juilliard School of Music. He also began conducting during summer breaks at Vermont's Marlboro festival. In 1979, he accompanied violinist Isaac Stern on a tour of China. A film about the tour, "From Mao to Mozart," won the 1980 Academy Award for Best Documentary. As a performer, Golub was perhaps best known for his work with violinist Mark Kaplan and cellist Colin Carr in the trio they formed in 1982. In the late 1990s, Golub began cultivating his interest in opera. Under his leadership, the Padua Chamber Orchestra recorded some of Haydn's least-known work for opera. An acclaimed chamber ensemble performer - most notably with the Golub-Kaplan-Carr Trio - Golub led the Padua Chamber Orchestra during the 1994-95 season and took it on tour in the United States in 1999. He is survived by his wife, Maria Majno.
• 2001 ~ Oscar-winning composer and lyricist Jay Livingston, whose collaboration with Ray Evans led to such hits as Silver Bells, Que Sera, Sera and Mona Lisa, died of pneumonia. He was 86. Livingston's songwriting partnership with Evans spanned 64 years. Often called the last of the great songwriters, Livingston and Evans had seven Academy Award nominations and won three - in 1948 for Buttons and Bows in the film The Paleface, in 1950 for Mona Lisa in Captain Carey, USA, and in 1956 for Que Sera, Sera in The Man Who Knew Too Much. They wrote the television theme songs for Bonanza and Mr. Ed, and were honored by the American Society of Composers, Authors and Publishers for the most performed music for film and TV for 1996. Livingston was born on March 28, 1915, in the Pittsburgh suburb of McDonald. He met Evans in 1937 at the University of Pennsylvania, where they were both students. The team's final project was the recording, Michael Feinstein Sings the Livingston and Evans Song Book, due for 2002 release.
Her family said she died Sunday at her home near Geneva after a long illness.
Called "La Stupenda" by her Italian fans, Sutherland was acclaimed from her native Australia to North America and Europe for her wide range of roles. But she was particularly praised for her singing of operas by Handel and 19th-century Italian composers.
Tenor Luciano Pavarotti, who joined with Marilyn Horne in Sutherland's farewell gala recital at Covent Garden on Dec. 31, 1990, called her "the greatest coloratura soprano of all time."
The term, derived from "color," refers to a soprano with a high range and the vocal agility to sing brilliant trills and rapid passages.
Sutherland's skills made her pre-eminent in the revival of Italian "bel canto" operas, and she was seen by many as having taken on the mantle of Callas.
Sutherland started singing as a small child, crouching under the piano and copying her mother, Muriel Alston Sutherland, "a talented singer with a glorious mezzo-soprano voice," according to Sutherland's biographer Norma Major, wife of former British Prime Minister John Major.
"I was able from the age of 3 to imitate her scales and exercises," she wrote in her autobiography. "As she was a mezzo-soprano, I worked very much in the middle area of my voice, learning the scales and arpeggios and even the dreaded trill without thinking about it. The birds could trill, so why not I?
"I even picked up her songs and arias and sang them by ear, later singing duets with her — Manrico to her Azucena. I always had a voice."
When she began performing in Australia, Sutherland thought she was a mezzo-soprano like her mother, and it took the insight of subsequent coaches to make her realize that she should develop her higher range.
The family statement said Sutherland is survived by her husband, conductor Richard Bonynge, their son, Adam, daughter-in-law Helen, and two grandchildren.
According to the statement Sutherland, who broke both legs during a fall at her home in 2008, requested a very small and private funeral.
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Former Associated Press Writer Alexander G. Higgins contributed to this report
From http://news.yahoo.com/s/ap/20101011/ap_on_en_mu/eu_switzerland_obit_sutherland
My dear friend, Chris Hagan and her brother David will be performing another two piano recital on Tuesday, October 19 at 7:30 at the Schlesinger Center.
Chris writes: I love the music we’re doing: Stravinsky’s Rite of Spring (any one seen Fantasia?) and Debussy’s Rite of Spring – each of these was arranged by the composer.
We’re also doing another piece by Debussy, Lindaraja, and Danses Andalouses by Manuel Infante. As the attached flyer says, a suggested donation of $10 is requested, and proceeds will benefit the Music Program’s Vocal Scholarship. If you can come, I hope you will! If you know of anyone who might be interested feel free to send a flyer to them.
At first, I wasn’t quite sure how I’d use it other than checking the web and the usual iTunes-y kind of things. I didn’t think I’d be able to edit any of my websites and the apps for those aren’t too great yet. Maybe someday they will. But I can post on message boards, other blogs and such and that’s good. Maybe when I can edit Joomla/HTML sites it will be perfect.
But I wasn’t expecting the iPad to be such a wonderful music tool. I’ve always had a metronome on my iPhone and that’s been very handy. I also have a pitch pipe that’s worked well. Recently, I got an app called Cleartune to tune my violin but I haven’t played enough to really make that useful for me. Maybe soon, I can spare the time to whip out the violin and get it in tune :)
Anyway, the iPad – wow! I have apps that will let me play full-sized piano keys with very accurate sounds – and other instruments, apps that include hundreds of compositions, games that will teach music to others, videos demonstrating piano techniques, apps to compose music. So much good stuff, so son. What will come later?
I can just set the iPad on the piano and I have nearly a thousand pieces to play anytime I want. The only drawback I see right now (and I’m sure someone will fix this sometime) is that I can’t add fingering, highlighting and so on to a piece.
One app, forScore, allows for general notes about a piece but nothing ON the piece. It would be nice if there was an index of notes I’ve made to easily find them rather than looking at individual compositions but that’s a something for another post.
As I get more and more familiar with these apps, I’ll write individual posts about them.
Right now I have:
Stay tuned for more on these – and maybe more! – apps.
